Uses of Archetype, Foreshadow, and Symbolism in One Hundred Years of So

Uses of Archetype, Foreshadow, and Symbolism in One Hundred Years of Solitude   Throughout all works of world literature, certain passages will have special significance to the biz progression of that overbold. This key passage must provide insight upon the general theme of that work through characterization, symbolisation, and imagery. In Gabriel García Márquezs novel One Hundred Years of Solitude, the passage selected for commentary uses the literary techniques of archetype, foreshadow, and symbolism to inform characterization. The concept of consanguineous love affairs is also beef up in this passage along with the idea of the necessity of immaterial puzzle out on a family. These concepts inform the characterization of all of the characters presented and provides insight on the cyclic nature of the Buendía family history.             From the beginning of the passage, García Márquez demonstrates t hat outside influences are beginning to impact the Buendía family lineage. The newborn son of Aureliano Segundo by Fernanda del Carpio, José Arcadio, is described as having no mark of a Buendía. This shows the familys shift from restate love affairs involving family members, such as that of the first José Arcadio and Rebeca. Also, the newborns lack of a mark eludes to Fernandas gaining power within the family no mark of the traditional Buendía, Úrsula, is to be found. This idea is further suggested when Fernanda does non hesitate in naming him José Arcadio, notwithstanding Úrsulas doubts. This shows Úrsulas ability, having been the supreme matron of the Buendía family over... ...ir respective names and dressed them in divers(prenominal) colored clothing marked with each unmatchables initials, but when they began to go to discipline they decided to exchange clothing and bracelets and call each other by opposite names. The teacher, Melchor Escalona, used to knowing José Arcadio Segundo by his green shirt, went out of his judicial decision when he discovered the latter was wearing Aureliano Segundos bracelet and that the other one said, nevertheless, that his name was Aureliano Segundo in spite of the fact that he was wearing the clean-living shirt and the bracelet with José Arcadio Segundos name. From then on he was never legitimate who was who. Even when they grew up and life made them different, Úrsula still wondered if they themselves might not have made a mistake in some secondment of their intricate game of confusion and had become changed forever.